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Tuesday 3 July 2018

National Geographic has announced the winning photos of its popular Travel Photographer of the Year 2018 photo contest. The grand prize was awarded to Japanese photographer Reiko Takahashi, who captured an underwater photo of a humpback whale calf’s tail.

The winning photo, titled “Mermaid,” was selected from over 13,000 entries received this year. Here’s the description provided by the photographer:
I was fortunate to have encountered a humpback whale with her calf on my first day snorkeling near Japan’s Kumejima Island. Most of the time, the calf stayed close to her mom. At one point, the calf began jumping and tapping its tail on the water near us—it was very friendly and curious. Finally, the mother, who was watching nearby, came to pick up the calf and swim away. I fell in love completely with the calf and it’s very energetic, large, and beautiful tail.
Takahashi is a long-time photographer who left her office job to pursue underwater photography, and she traveled to Japan’s Kumejima Island specifically to capture photos of humpback whales with their young calves.
“It was a special scene for me, to be able to take a photo of the calf, completely relaxed in gentle waters,” Takahashi tells Nat Geo. “I really cannot believe it. It was my dream to win. I am honored and it will be the driving force for my future shooting.”
As part of her win, Takahashi receives a $10,000 award.

Nature, 2nd Place

FLAMINGOS TAKING OFF by hao j./National Geographic Travel Photographer of the Year Contest. “Thousands of flamingos are seen taking off from the colorfulLakeNatron in Tanzania. Before taking off, flamingos need to take a short run on water to build up some speed. At that moment, their long, red legs create a series of water ripples on the surface of the lake. Looking down from the helicopter, these ripple lines look like giant aquatic plants flowing in the water. This photo was taken from a helicopter.”

Nature, 3rd Place

MARS by Marco Grassi/National Geographic Travel Photographer of the Year Contest.. “These natural sand towers, capped with large stones, are known as the Earth Pyramids of Platten. They are situated in Northern Italy’s South Tyrol region. Formed centuries ago after several storms and landslides, these land formations look like a landscape from outer space and continuously change over the years and, more accurately, over seasons. This natural phenomenon is the result of a continuous alternation between periods of torrential rain and drought, which have caused the erosion of the terrain and the formation of these pinnacles. As the seasons change, the temperatures move between extremes and storms affect the area, pyramids disappear over time, while new pinnacles form as well.”

Cities, 1st Place

ANOTHER RAINY DAY IN NAGASAKI, KYUSHU by Hiro Kurashina/National Geographic Travel Photographer of the Year Contest.. “This is a view of the main street from a tram in Nagasaki on a rainy day. The tram is vintage but retrofitted with modern ticketing equipment. A conductor is no longer on board—only the lone driver. The quiet streetscape seen through the front windshield of the tram somehow caught my attention. This view presents quite a contrast to busy urban centers in Japan, such as Tokyo and Osaka. The ride on a vintage tram through the relatively quiet main street was a memorable experience during our week-long visit to the historic city of Nagasaki.”

Cities, 2nd Place

GEOMETRY OF THE SUN by Enrico Pescantini/National Geographic Travel Photographer of the Year Contest.. “Teotihuacanmeans ‘the place where the gods were created,’ and that’s the exact feeling visitors have when they walk along the Avenue of the Dead at this Mexican archaeological site. This pyramid was dedicated to the god of Sun, and I found it mesmerizing how the rising sun in the picture conquered just half the image, while the other half is in the shadows. I have always loved archaeology and ancient civilizations, so I couldn’t wait to visit Mexico and explore the remains of the pre-Columbian civilization. I planned my visit to Teotihuacan at sunrise, to get a combination of golden sunlight, play of shadows, and few crowds around. I flew my drone to see if the image I had in my mind was really out there: luckily for me, this frame was just waiting for my camera!”

Cities, 3rd Place

REFLECTION by Gaanesh Prasad/National Geographic Travel Photographer of the Year Contest.. “On an early morning, I wanted to photograph the fog, which is epic in Dubai every year from December to January—and almost every photographer’s dream in this part of the world. Sadly, I could not get access to the rooftop and so I peeped through the glazed window on a lower floor. I was overwhelmed and excited to see how beautiful the city looks, and my excitement was quadrupled as soon as I saw the reflection of the road and building on the building that I was in. I immediately opened the window to the maximum permissible amount and clicked a single shot with stretched hands.”

People, 1st Place

TEA CULTURE by Alessandra Meniconzi/National Geographic Travel Photographer of the Year Contest.. “For a long time, I have been fascinated by the ancient Mongolian method of hunting with Golden Eagles. In early 2018, I followed one family of eagle hunters during their migration from winter camp to spring camp. Mongolia is sparsely populated, but the inhabitants have a very hospitable and welcoming culture. Tea for Kazakh culture is one of the attributes of hospitality. Tea isn’t just a drink, but a mix of tradition, culture, relaxation, ceremony, and pleasure. Damel, seen here wrapped in heavy fur clothes, drinks a cup of tea to keep warm from the chilly temperatures in Western Mongolia.”

People, 2nd Place

LEIDA AND LAELLE -I WILL LIFT YOU UP by Tati Itat/National Geographic Travel Photographer of the Year Contest.. “Since 2016, I’ve been involved with Haitian immigrants and refugees living in my city, Estrela. I have become friends with some families, and especially with twin sisters, Leïda and Laëlle. They say living in Brazil is like living in paradise—very different from the reality of their country of origin. They dream of becoming models and teachers, as a way to earn money to bring their other relatives from Haiti to Brazil, to live all near one another. On this day, they were playing in front of their home, improvising exercises to develop their imagination and creativity, as if they were actresses, and playing an imitation game with poses. Laëlle reached for Leida’s face and lifted her head up, showing her where she should look. At this brief moment, I took the photo.”

People, 3rd Place

CHALLENGING JOURNEY by MD Tanveer Hassan Rohan/National Geographic Travel Photographer of the Year Contest.. “This photograph was taken from Dhaka’s airport rail station during the Eid vacation. People were returning to their village homes to spend Eid with families, and the rush at the last hour was immense. One man caught my attention: he was dangling on a train’s handle with his family, trying to get inside the train. At that time, rain started and the train began to slowly move. The family had tickets to board the train, but couldn’t get to their seats. There are many people like him, who come to Dhaka for work—leaving their families and home villages—so when they get vacation, they don’t want to miss the opportunity to spend time with dear ones, no matter what.”
Original Post from : https://petapixel.com/2018/06/28/the-winning-photos-of-nat-geo-travel-photographer-of-the-year-2018/

Sunday 24 June 2018

Wedding photographers are always looking to take creative, novel portraits and a quick, simple trick is often sitting right in their pocket. By using a phone screen as a reflective surface, it is possible to cover up unsightly elements, add intrigue, and make an image that much more interesting.

Here’s how it works:
1. Start by holding your phone on a horizontal plane to the bottom edge of your lens.

2. As you look through the viewfinder you’ll see part of the scene reflecting onto the lower part of the image.
3. Simply adjust the phone slightly (while still holding it close the edge of the lens) until you see a reflection that you like.
Before
After
4. Take the picture!
Here are some tips:
1. If you have a bulky case protecting your phone remove it to create a more seamless reflection.
2. The reflected portion of the image will often appear darker or lighter than the rest of the image. Applying a gradient in post-production helps to add balance and intrigue to the image.
Before
After (with gradient applied to lower part of image).
3. Architectural elements (ie. Window, pillars, arches) reflect well and often work great with this technique.
Before
After
4. Results don’t always have to be dramatic. Sometimes a slight reflection can help frame a subject or add that little something.


About the author: Mathias Fast is a wedding photographer based in Vancouver, Canada, and Cape Town, South Africa. You can find more of his work on his websiteFacebook, and Instagram.


original post from :https://petapixel.com/2018/06/07/how-to-use-a-phone-screen-for-magical-portraits/

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